This groundbreaking survey encapsulates Martiel’s performance-based practice of nearly two decades. Employing his body as a primary medium, Martiel utilizes endurance performances in both public and gallery spaces to delve into the complex legacies o...
moreThis groundbreaking survey encapsulates Martiel’s performance-based practice of nearly two decades. Employing his body as a primary medium, Martiel utilizes endurance performances in both public and gallery spaces to delve into the complex legacies of colonialism on race, labor, and migration. The exhibition features a selection of the artist’s most significant projects to date, bringing together different spaces and temporalities through preparatory drawings, photographs, and videos, as well as the remains of past sculptural performances, in dialog with El Museo’s multidisciplinary project space, Room 110.Carlos Martiel has been a prominent figure in the New York art scene for the past decade. However, his practice transcends strict geographic limits, responding to different political and cultural contexts. His approach pushes the limits of self-expression to explore the impact of systems of oppression on BIPOC and Latinx communities. This survey exhibition marks his return to the institution since his debut in La Trienal, in which Martiel presented the first version of his acclaimed Monuments series. Since then, additional iterations of this ongoing work have been performed in Ne...
moreThis groundbreaking survey encapsulates Martiel’s performance-based practice of nearly two decades. Employing his body as a primary medium, Martiel utilizes endurance performances in both public and gallery spaces to delve into the complex legacies of colonialism on race, labor, and migration. The exhibition features a selection of the artist’s most significant projects to date, bringing together different spaces and temporalities through preparatory drawings, photographs, and videos, as well as the remains of past sculptural performances, in dialog with El Museo’s multidisciplinary project space, Room 110.
Carlos Martiel has been a prominent figure in the New York art scene for the past decade. However, his practice transcends strict geographic limits, responding to different political and cultural contexts. His approach pushes the limits of self-expression to explore the impact of systems of oppression on BIPOC and Latinx communities. This survey exhibition marks his return to the institution since his debut in La Trienal, in which Martiel presented the first version of his acclaimed Monuments series. Since then, additional iterations of this ongoing work have been performed in New York, Dakar, and Mexico City, all of which will be included as part of the El Museo del Barrio presentation.
This exhibition is accompanied by a new fully illustrated, bilingual (Spanish/English) publication that will serve as the first comprehensive monograph of the artist, highlighting approximately 40 performances from across Martiel’s career. The publication will include an introduction from El Museo’s curators and a specially commissioned essay by guest author and scholar Genevieve Hyacinthe.
ABOUT CARLOS MARTIEL
Carlos Martiel (born 1989, Havana), lives and works in New York. He graduated in 2009 from the National Academy of Fine Arts San Alejandro in Havana. Between the years 2008-2010, he studied in the Cátedra Arte de Conducta, directed by the artist Tania Bruguera.